It’s now common for Netflix to showcase A-list stars in their movie lineup, and this trend continues with “The Electric State” directed by the Russo Brothers, set to release in 2025. Notably, Chris Pratt and Millie Bobby Brown are among over a dozen recognized actors featured in the film’s cast. As we approach its streaming debut on March 14, critics have had an opportunity to review it. Let’s take a look at their thoughts.
The science fiction journey portrays a comic book tale, primarily focusing on a teenager and her robot navigating an altered reality following a destructive conflict between humans and artificial intelligence. In TopMob’s assessment of “The Electric State“, Nick Venable awards it 2.5 stars out of 5, remarking that while the stunning graphics are impressive, they overshadow a narrative that is both foreseeable and unmemorable. He expresses his thoughts as follows:
“Though the visuals are breathtakingly beautiful, the story leaves much to be desired due to its predictability and lack of staying power.”
Despite the charming CGI elements scattered throughout it, The Electric State lacks any defining moment for its human characters that could spark fan art or become iconic phrases in popular culture. In truth, I can’t recall if Pratt’s character had a specific role or objective, which is unexpected for fans of the Russos, given their stories usually have clear goals and purposes.
According to Alex Harrison of ScreenRant, he rates The Electric State a 4 out of 10, implying that the Russo brothers ought to have been aware of making such an inferior film. Despite the movie’s impressive visual effects, Harrison argues that it could potentially do more harm than good to cinema as a whole because viewers might come to expect poor-quality films instead of demanding better ones. He further explains his point by suggesting that audiences may forget that movies can and should strive for excellence.
1. In simpler terms, the science fiction in “The Electric State” appears confusing and devoid of substance, seemingly pieced together with ’90s references that seem pointless other than to appeal to a specific demographic’s nostalgia. For instance, why portray a world with self-aware AI and telepathic projection when computers still look like old PCs and AOL greets you with “you’ve got mail”?
2. A clear sign of the issue lies in the dialogue. “The Electric State” is overflowing with expository dialogues, which are easily recognized by their awkwardness.
3. Lastly, I find the storytelling particularly disappointing. This is the aspect that frustrates me the most.
According to Nick Schager of The Daily Beast, it’s advisable to give this movie a miss due to its excessive nostalgia. Millie Bobby Brown seems unsure in her main role, and the critic labels the $320 million production by the Russo brothers as a monumental squandering, in his opinion. In simpler terms, Schager’s review suggests that the film is not worth watching because of its overwhelming nostalgia, Millie Bobby Brown appears shaky in her lead role, and he believes that the Russo brothers’ reported $320 million project is a huge waste of resources.
This novel, The Electric State, feels remarkably similar to many contemporary blockbusters, and unfortunately, it lacks originality. Instead of offering an unexpected twist or thrilling unpredictability, it seems to follow a predetermined path from one noisy and humorous scene to another, giving the impression that it’s running on tracks. Despite its shiny exterior, it lacks heart and authenticity.
Justin Clark from Slant harshly rates “The Electric State” a 0.5 out of 4, stating: “Its eyes are empty and contemptible, devoid of any backbone to support the dying LED that once held a soul. This is the essence of content at its most financially bankrupt.”
Justin Clark gives “The Electric State” an extremely low score of 0.5 out of 4, expressing his disapproval by saying: “It’s like looking into empty eyes without any real substance behind them. There’s no strength or soul left in it – it’s just shallow and uninspired content at its worst.
The movie is filled with cheap jokes, action sequences, and physical humor that seem like a mix of every children’s film from the past 40 years. It lacks any unique flavor or individuality, feeling more like a bland mash-up aimed at pleasing everyone. To make matters worse, when you least expect it, an unpleasant feeling creeps in to replace the monotony. This is introduced by a group of comical robots, including a robot version of Mr. Peanut, led by the unsettling mechanical face of a robot and voiced by Woody Harrelson with a serious tone that feels like a heart attack. They decide to aid our protagonists in their journey.
As a film enthusiast, I found myself disappointed with the recent movie I watched, rating it a “Bad” 4 out of 10. In my opinion, this film didn’t live up to its potential, feeling more like an advertisement for corporate mascots rather than an engaging event. To put it simply, it felt like Mr. Peanut was merely spouting one-liners and trying to tug at our nostalgic heartstrings.
The renowned AI-appreciative duo, Joe and Anthony Russo, team up once more with Netflix to bring a $300-million sci-fi spectacle to our screens. This movie, featuring a familiar hero’s journey narrative, nostalgic visual cues, and popular stars such as Millie Bobby Brown and Chris Pratt, seems intentionally designed to evoke fond memories. It’s a prefabricated crowd-pleaser that might appear less contrived if it didn’t diminish the eerie majesty of its inspiration – the visually striking illustrated novel upon which it is based.
I must admit, even as a follower, I was underwhelmed by the modest 19% rating that “The Electric State” received from 53 critics on Rotten Tomatoes. However, this seems like a far cry from the critically acclaimed Marvel Cinematic Universe films by the Russo brothers.
Despite some criticisms about certain aspects of the film, there seemed to be a general agreement that the visual effects were truly impressive. If you’re intrigued enough to give it a try, “The Electric State” will be streaming on Netflix starting this Friday, March 14.
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2025-03-14 00:37